A collection of weird and wonderful things created or admired by NPR's multimedia staff: Kainaz Amaria, Emily Bogle, Coburn Dukehart, David Gilkey, Mito Habe-Evans, Keith Jenkins, Becky Lettenberger, Claire O'Neill, and John Poole (JP)
More elegant than the Travelocity Gnome, our famed office mate Maria Callas is on the move! This may not be Milan’s famed La Scala (where Maria first sang in 1950), but today she found the longest eSCALAtor in Washington. #divaonthemove
We finally decorated the red hallway leading to the NPR Music office with some of our favorite concert photography (a.k.a. Yo dawg, we heard you like photo galleries, so we made a photo gallery of a photo gallery).
You can see more concert photos on Flickr and listen to hundreds of concerts at NPR Music.
As a gaggle of videographers, musicians, industry types and hangers-on stepped gingerly through tall brush to enter a dilapidated section of Fort Adams in Newport, R.I., you couldn’t blame us for feeling like unwitting participants in a horror movie. Standing amid hundred-year-old rubble as the 2011 Newport Folk Festival clattered merrily in the distance, we were either going to capture two breathtaking minutes of music or get eviscerated by maniacs as part of The Newport Witch Project. Thankfully, we made it out with the footage you see above.
Like a ray gun that shoots weaponized gorgeousness, the Vermont trio Mountain Man fit an awful lot of moony harmonies into this all-too-brief performance of “Sewee Sewee.” As a self-explanatorily named group called The Seeger Clogging Allstars clomped away behind them, Mountain Man’s three members — Molly Erin Sarle, Alexandra Sauser-Monnig and Amelia Randall Meath — sang and stared sweetly into each other’s faces. If the scene above once seemed destined to devolve into a grisly horror movie, at least we had a choir of angels on hand to escort us into the afterlife.
There’s something primeval about guys banging on wood. But the New York percussion group Mantra takes such primitive pounding to a surprisingly refined level. For composer Michael Gordon’s mesmerizing new work — Timber, written for six two-by-fours — Mantra set up a public performance of the piece in the lumber department of a big-box hardware store in Alexandria, Va.
Lots of knobs and buttons on this thing, but it allows us to direct a live show and switch between cameras as it’s happening. We’re still working on getting the cameras to match, but look forward to seeing many more performances from NPR at LPR!